| Spanglish | |
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Theatrical release poster |
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| Directed by | James L. Brooks |
| Produced by | Julie Ansell James L. Brooks Richard Sakai |
| Written by | James L. Brooks |
| Starring | Adam Sandler Paz Vega Téa Leoni Cloris Leachman Thomas Haden Church |
| Music by | Hans Zimmer |
| Cinematography | John Seale |
| Editing by | Richard Marks |
| Distributed by | Columbia Pictures |
| Release date(s) | December 17, 2004 |
| Running time | 131 minutes |
| Country | United States |
| Language | English/Spanish |
| Budget | $80 million[1] |
| Box office | $55,041,367[1] |
Spanglish is a 2004 American comedy-drama film written and directed by James L. Brooks, and starring Adam Sandler, Paz Vega, and Téa Leoni. It was released in the United States on December 17, 2004 by Columbia Pictures and by Gracie Films, and in other countries over the first several months of 2005.
Contents |
The film starts with Cristina Moreno applying to Princeton University. She tells the story of her childhood in her college essay.
Flor Moreno (Paz Vega) is a poor, Mexican single mother who gets hired as the housekeeper for John (Adam Sandler) and Deborah Clasky (Téa Leoni), their kids Bernice (Sarah Steele) and Georgie (Ian Hayland), and Deborah's mother Evelyn Wright (Cloris Leachman), a rich American family. John is head chef at a popular restaurant, Deborah a former businesswoman turned stay-at-home mother and Evelyn a former jazz singer.
Flor speaks very little English. She does not mention that she has a daughter, Cristina (Shelbie Bruce). John, Evelyn, Georgie and Bernice are very likeable; Deborah, however, is uptight, her behavior often upsetting both households.
Summer comes and Flor is needed 24/7 at the Claskys' summer home. Unable to communicate, Deborah finds a neighbor to translate. Flor reveals that she is unable to maintain these hours because she has a daughter, but Cristina is invited to come stay with them.
Cristina interprets for her mother. She impresses Deborah, who begins to treat her like a daughter, taking Cristina shopping, getting her hair done, enrolling her in a private school, and showing her more love than she does the sensitive Bernice.
Flor becomes unhappy when it appears that Cristina is influenced by Deborah, in part because she wants Cristina to keep in touch with her Mexican roots and working-class unpretention, and partly because Deborah is overstepping her bounds. Flor objects to Deborah's actions to John, who is apologetic in an endearing way.
Flor does lose her temper when she finds out that John gave Cristina over 600 dollars in cash for a minor task. She threatens to leave but decides to stay after John convinces her to do so for Cristina's sake.
Flor begins to learn English so she can communicate better. She becomes closer to John, who is having difficulty with Deborah's self-centered behavior. The alcoholic Evelyn realizes that her daughter is having an affair and that her marriage is in trouble. She pleads with Deborah to end the affair because she'll never get another man as good as John.
Deborah confesses to John that she cheated on him. John walks out and gives Flor a ride in his car. They go to his restaurant, where he cooks for Flor and they enjoy the "conversation of their lives," feeling love for one another. (In a draft of the screenplay, they consummate their love, but in the movie) Flor resists the temptation to continue and John never mentions Deborah's affair.
Flor quits and takes her daughter home, upsetting Christina, for she got along well with the Claskys. Then, on their way home, she tells Cristina that she won't go to the private school anymore either, upsetting Cristina even more; she screams in the middle of the street that Flor can't do this to her and that her decision ruined her life. Flor then loses patience with Cristina after she asks her mother for space. Then Flor explains to her daughter that she must answer the most important question of her life, at a very young age: "Is what you want for yourself to become someone very different than me?" Cristina considers this on their bus ride home, and they make up and embrace.
The film ends with Cristina as an adult, years later, acknowledging that her life rests firmly and happily on the simple fact that she is her mother's daughter.
The film received a mixed critical reception. Based on 157 reviews collected by the film review aggregator Rotten Tomatoes, 53% of critics gave Spanglish a positive review.[3] Its proponents champion the film as a seminal, revolutionary masterpiece, breaking new ground in the areas of visual composition and sound/light resonance, as well as a moving portrayal of the difficulty of family problems and self-identity (and perhaps to a lesser extent the difficulties and rewards of cross-cultural communication). However, its detractors described it as "uneven," "awkward," and "mean-spirited."
This film grossed $55,041,367 worldwide, significantly less than the $80 million production budget.[1] With this intake, the film became a box office bomb.
Hans Zimmer was nominated for a Golden Globe Award for Best Original Score. Cloris Leachman was nominated for a Screen Actors Guild Award for Best Supporting Actress.
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